The first overview of the work of this seminal multi-disciplinary artist, SPIT TEMPLE collects texts and transcriptions of Cecilia Vicuña’s uncategorizable improvised performances, which combine singing, movement, chants, and stories. Also included are a critical introduction by Rosa Alcalá, a poetic memoir by Vicuña addressing her life in performance, images from Vicuña’s extensive personal archive, and response pieces by Maria Damon, Linda Duke, Nada Gordon, Jena Osman, Kenneth Sherwood, Juliana Spahr, Dennis Tedlock, Edwin Torres, and Rodrigo Toscano.