'Memory never stops. It pairs the dead with the living, real with imaginary beings, dreams with history.'

She strikes a pose and the camera shutter clicks: a child playing in the debris of the Second World War. Click. A student discovering parties and men's bodies. Click. An activist fighting for the right to choose. Click. A wife picking out a velvet sofa. Click. A mother taking her eldest to judo. Click. A lover, seducing a younger man. Click. A grandmother presenting her granddaughter to the camera. Click.

Les Années (The Years) is Annie Ernaux's critically acclaimed 'masterpiece' (Guardian), charting a woman's personal and political life against the backdrop of a rapidly changing post-war Europe.

Eline Arbo's inventive stage adaptation was premiered as De Jaren by Het Nationale Theater in The Hague, Netherlands, in 2022, with a cast of five women collectively bringing to life an unapologetic portrait of one woman, and a whole continent. Arbo directed her adaptation at the Almeida Theatre, London, in 2024, in an English language version by Stephanie Bain – with reference to translations by Alison L. Strayer and Tanya Leslie. In 2025, The Years transferred to the Harold Pinter Theatre in London's West End, produced by Sonia Friedman Productions.

'A remarkable stage adaptation that leads to a special catharsis through nostalgia, sadness and lots of humour' — Volkskrant

'An extraordinarily profound and yet playful drama... Eline Arbo's adaptation celebrates the multitudes contained within a single life... devastating... joyous... shatteringly raw... There is so much emotional depth, surprise and theatrical virtuosity here that it holds you rapt... What an accomplishment' — Guardian

'Stunning... a swoon-worthy smash... joyous... a real eye-opener' — The Times

'A unique, profoundly moving experience... manages the extraordinary feat of intricately telling the story of a whole life in less than two hours... finds laughter in tragedy and devastating detail in mundanity. It moved me in ways theatre often tries to but rarely achieves... utterly remarkable' — Independent

'A vivid, moving memoir play that celebrates the astonishment of being alive' — Time Out

'Unforgettable... strangely magnificent... full of roaring life' — WhatsOnStage

'Fascinating, funny and moving' — Daily Mail