In the winter of 1926, Margaret McPhail went on trial for the murder of Alex, and throughout, maintained her innocence. Exhibit, more than a poetic retelling of her trial, chronicles the path to a verdict, misstep by misstep. Brother and sister become somewhat knotted aberrations, grotesqueries that are at times monstrous and at others quite stunning, at times sickly and at others impressive in their strength.

Folded into these poems, helping to give them their current, at times strange and potent vision, are cuts from a broad variety of sources, including, to name only a few, interviews with Catherine Robbe-Grillet and Eileen Myles, English and Russian fairy tales, and articles on the history of feminist film.