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Description - Francesco Clemente by Gregory Corso

Throughout the sensual relationship that Francesco Clemente (born 1952) has cultivated with paper surfaces runs the idea of the palimpsest--the manuscript page or parchment, often torn from a book, from which text has been effaced so that the surface can be re-used. By virtue of their accumulated layers of traces, palimpsests are enormously evocative objects--evocative of human and material impermanence and the vast scale of human history. Clemente's relationship with the histories of the inscribed page is widely known and celebrated; he has reinvigorated the idioms of both Indian and Italian manuscript painting, and has collaborated with poets such as Allen Ginsberg, Robert Creeley and Ren� Ricard. This volume takes the palimpsest as a metaphor for Clemente's art, from early works on paper to large-format paintings and more recent, monumental watercolors.

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