In its first modern translation, a novel-cum-memoir of a Frenchman's erotic awakening in Italy by a preeminent writer of the Romantic period.

When I was eighteen, the narrator begins, as if penning his memoir, my family entrusted me to the care of a relative whose business affairs called her to Tuscany.

Thetale that unfolds here, of a young man's amorous experiences amid the naturalgrandeur and subtle splendors of the Italian countryside, is one of the finestworks of fiction in the French Romantic tradition. Remarkable for its contemplative prose, its dreamy passions and seductive drawing of the Italian landscape, and its place in the Romantic canon, Graziella is atimeless portrait of love, chronicling the remorse and the misguided ideals ofyouth that find their expression, if not their amends, in art.