Henderson wrote, sang, and agitated for a Scottish socialist republic, for the dissolution of the British empire and its legacies, and for a conception of human value incommensurable with exploitation under late capitalism. His formative influences were his childhood exposure to Scotland's anonymous song-poetry, and the comradely solidarity of the anti-fascist struggle of his young adulthood. Henderson's poetic voice, therefore, is at once queer, collectivist, radical, romantic, viciously satirical, and over-earnest. It reaches always for a way of reconciling the voice of the artist with those whom they presume to speak for, to, or out of — and it wrestles tirelessly with the weight of history and the immediacy of emancipatory struggle.

This book pushes at — and often transgresses — the boundaries between high modernist poetics and popular folk song, between the profound and profane, between works of individual artistic endeavour and the mass of stubborn ephemera ascribed to 'anon'.