This provocative book argues that in his fiction Henry James was more canny about sexual identities, more focused on sexual pleasure, and more insistent on flouting heterosexual convention than has been acknowledged by his critics and biographers. Without leaping to the construction of a gay Henry James, whose writings aver a conscious sexual preference, the author demonstrates James s deep engagement with the construct of sexual inversion, his familiarity with the tropes and traffic of the late-Victorian sexual underground, and his resistance to the cultural codes and institutions that disciplined social and private behavior. The volume aligns biographical and textual readings with specific topics in intellectual and cultural history, placing the novelist and his works within the key discursive frameworks that emerged during his lifetime: mental hygiene, sexology, psychiatry, and cultural anthropology. In reconsidering James s reputed celibacy and effeminacy, the author makes use of recent gender and queer theory, while remaining carefully attentive to the contemporary terms at James s disposal for understanding his own sexuality and gender identification.